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Van der Graaf Generator – Discography (1969-2011) [mp3@320]

If you are a fan of progressive rock, experimental rock, or art rock, you may have heard of Van der Graaf Generator, an English band that formed in 1967 and became popular in Italy during the 1970s. They are known for their complex and innovative music, featuring the distinctive vocals and lyrics of Peter Hammill, the organ and bass pedals of Hugh Banton, the saxophone and flute of David Jackson, and the drums of Guy Evans.

In this article, we will explore the discography of Van der Graaf Generator, from their debut album The Aerosol Grey Machine in 1969 to their latest album Do Not Disturb in 2016. We will also look at some of their live albums, compilations, and solo projects. All the albums are available in high quality MP3 format (320 kbps) for your listening pleasure.

The Aerosol Grey Machine (1969)

The Aerosol Grey Machine was the first album by Van der Graaf Generator, released in 1969 by Mercury Records. It was originally intended as a solo album by Peter Hammill, but the label insisted on using the band name. The album features a more acoustic and folk-oriented sound than their later works, with songs like “Afterwards”, “Necromancer”, and “Octopus”. The album also includes a spoken word piece by Chris Judge Smith, one of the original founders of the band who left before the recording.

The Least We Can Do Is Wave to Each Other (1970)

The Least We Can Do Is Wave to Each Other was the second album by Van der Graaf Generator, released in 1970 by Charisma Records. It was their first album to feature the classic line-up of Hammill, Banton, Jackson, and Evans. It was also their first album to chart in the UK, reaching number 47. The album showcases a more progressive and experimental sound than their debut, with longer and more complex songs like “Darkness (11/11)”, “Refugees”, and “White Hammer”. The album also features guest appearances by Robert Fripp of King Crimson on guitar and Hugh Monty on cornet.

H to He, Who Am the Only One (1970)

H to He, Who Am the Only One was the third album by Van der Graaf Generator, released in 1970 by Charisma Records. It was their second album to chart in the UK, reaching number 45. The album is considered one of their most ambitious and influential works, with songs that explore themes such as nuclear war (“Killer”), schizophrenia (“The Emperor in His War-Room”), and existentialism (“Pioneers Over C”). The album also features guest appearances by Robert Fripp of King Crimson on guitar and Nic Potter on bass.

Pawn Hearts (1971)

Pawn Hearts was the fourth album by Van der Graaf Generator, released in 1971 by Charisma Records. It was their most successful album in terms of sales and critical acclaim, reaching number one in Italy and number 50 in the UK. The album consists of three long tracks, each occupying one side of the original vinyl release. The tracks are “Lemmings (Including Cog)”, “Man-Erg”, and “A Plague of Lighthouse Keepers”, the latter being a 23-minute epic that combines several musical sections and lyrical themes. The album is considered a masterpiece of progressive rock, with its intricate arrangements, diverse instrumentation, and poetic lyrics.

Godbluff (1975)

Godbluff was the fifth album by Van der Graaf Generator, released in 1975 by Charisma Records. It was their first album after a three-year hiatus, during which Hammill pursued a solo career and the other members joined other bands or projects. The album marked a change in the band’s sound, with a darker and heavier tone, influenced by King Crimson and Black Sabbath. The album features four tracks, each around 10 minutes long: “The Undercover Man”, “Scorched Earth”, “Arrow”, and “The Sleepwalkers”. The album received positive reviews from critics and fans, and reached number 21 in the UK and number 26 in Italy.

Still Life (1976)

Still Life was the sixth album by Van der Graaf Generator, released in 1976 by Charisma Records. It was a continuation of the style and themes of Godbluff, with four tracks that explore existential and metaphysical questions: “Pilgrims”, “La Rossa”, “My Room (Waiting for Wonderland)”, and “Childlike Faith in Childhood’s End”. The album also features guest appearances by Graham Smith on violin and Charles Dickie on cello. The album was well received by critics and fans, and reached number 16 in the UK and number 17 in Italy.

World Record (1976)

World Record was the seventh album by Van der Graaf Generator, released in 1976 by Charisma Records. It was the last album recorded by the classic line-up of the band, as Banton and Jackson left shortly after its release. The album features four tracks, each around 10 minutes long: “When She Comes”, “A Place to Survive”, “Masks”, and “Meurglys III (The Songwriter’s Guild)”. The album has a darker and heavier sound than their previous albums, with some influences from hard rock and metal. The album received mixed reviews from critics and fans, and reached number 16 in the UK and number 26 in Italy.

The Quiet Zone/The Pleasure Dome (1977)

The Quiet Zone/The Pleasure Dome was the eighth album by Van der Graaf Generator, released in 1977 by Charisma Records. It was the first album to feature the new line-up of Hammill, Evans, Potter, and Smith, and also the first album to use the shortened name Van der Graaf. The album consists of two sides with different musical styles: The Quiet Zone features shorter and more accessible songs, while The Pleasure Dome features longer and more experimental songs. The album includes tracks such as “Lizard Play”, “Cat’s Eye/Yellow Fever (Running)”, “The Sphinx in the Face”, and “The Wave”. The album was well received by critics and fans, and reached number 28 in the UK and number 14 in Italy.

Present (2005)

Present was the ninth album by Van der Graaf Generator, released in 2005 by Charisma Records. It was the first album by the band after a 28-year hiatus, and also the first album to feature the reunion of the classic line-up of Hammill, Banton, Jackson, and Evans. The album consists of two discs: the first disc features nine new songs written by Hammill, while the second disc features eight improvised pieces by the band. The album showcases a diverse range of styles and influences, from progressive rock to jazz to ambient. The album received positive reviews from critics and fans, and reached number 103 in the UK and number 100 in Germany.

Trisector (2008)

Trisector was the tenth album by Van der Graaf Generator, released in 2008 by Virgin/EMI Records. It was the first album by the band as a trio, after the departure of saxophonist David Jackson in 2006. The album features nine new songs written by Hammill, with contributions from Banton and Evans. The album has a more stripped-down and raw sound than their previous albums, with less use of keyboards and more emphasis on guitar and drums. The album includes tracks such as “Interference Patterns”, “Lifetime”, “Drop Dead”, and “(We Are) Not Here”. The album received positive reviews from critics and fans, and reached number 81 in the Netherlands.

A Grounding in Numbers (2011)

A Grounding in Numbers was the eleventh album by Van der Graaf Generator, released in 2011 by Esoteric Recordings. It was the second album by the band as a trio, and also the second album to feature a cover art by Jason Van Der Graaf, Peter Hammill’s son. The album features eleven new songs written by Hammill, with contributions from Banton and Evans. The album has a more varied and eclectic sound than Trisector, with influences from jazz, blues, folk, and rock. The album includes tracks such as “Your Time Starts Now”, “Mathematics”, “Mr. Sands”, and “Highly Strung”. The album received positive reviews from critics and fans, and reached number 96 in Germany.

ALT (2012)

ALT was the twelfth album by Van der Graaf Generator, released in 2012 by Esoteric Recordings. It was the third album by the band as a trio, and also the first album to consist entirely of instrumental pieces. The album features eight tracks that were improvised by the band during various sessions between 2007 and 2011. The tracks were edited and mixed by Hammill, who also added some overdubs. The album has a more experimental and ambient sound than their previous albums, with use of electronic effects, loops, samples, and noise. The album includes tracks such as “Earlybird”, “Mackerel Ate Them”, “Repeat After Me”, and “Dronus”. The album received mixed reviews from critics and fans.

Do Not Disturb (2016)

Do Not Disturb was the thirteenth album by Van der Graaf Generator, released in 2016 by Esoteric Recordings. It was the fourth album by the band as a trio, and also the last album to feature organist Hugh Banton, who retired from touring and recording after its release. The album features nine new songs written by Hammill, with contributions from Banton and Evans. The album has a more concise and focused sound than ALT, with more emphasis on songwriting and melody. The album includes tracks such as “Aloft”, “Alfa Berlina”, “Forever Falling”, and “Go”. The album received positive reviews from critics and fans, and reached number 75 in Germany.

Conclusion

Van der Graaf Generator are one of the most original and influential bands in the history of progressive rock. Their discography spans over five decades, from their debut album The Aerosol Grey Machine in 1969 to their final album Do Not Disturb in 2016. Their albums showcase a wide range of styles and influences, from folk and acoustic to hard rock and metal, from jazz and blues to ambient and electronic. Their albums also feature some of the most complex and innovative music ever recorded, with intricate arrangements, diverse instrumentation, and poetic lyrics. Their albums are available in high quality MP3 format (320 kbps) for your listening pleasure.

In conclusion, Van der Graaf Generator are a remarkable band that have created some of the most adventurous and original music in the progressive rock genre. Their discography covers a long and varied career, from their early days as a folk-inspired group to their later years as a trio of experimental veterans. Their albums are rich in musical and lyrical content, offering a rewarding and challenging listening experience. Their albums are also available in high quality MP3 format (320 kbps), so you can enjoy their music in the best possible way.

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